Papers and Panels
Dan Ewing
| 2011 |
Invited discussant, Scholars Study Day, for the exhibition, Joos van Cleve – Leonardo of the North, Suermondt-Ludwig-Museum, Aachen, Germany, March 18 |
| 2010 |
“Artistic Self-Fashioning after Van Eyck: The Art of Albrecht Dürer,” Faculty Psychotherapy Seminar, Mt. Sinai Medical Center, New York, NY, May 18 |
| 2010 |
“A Renaissance Phenomenon: Artistic Self-Fashioning in the Art of Albrecht Dürer,” New York Psychoanalytic Institute, New York, NY, May 18 |
| 2009 |
“Artistic Self-Awareness and Noble Ambition in the Paintings of Jan van Eyck,” Faculty Psychotherapy Seminar, Mt. Sinai Medical Center, New York, NY, June 16 |
| 2009 |
“Researching a Renaissance Artist: The Flemish Painter Jan de Beer as a Case Study,” New York Psychoanalytic Institute, New York, NY, June 16 |
| 2008 |
“Guilt, Faith, Redemption and Salvation in the Paintings of Caravaggio,” Lecture-Dialogue co-presented with Dr. Francis Baudry, New York Psychoanalytic Institute, jointly sponsored by Barry University and the Florida Psychoanalytic Society, Andy Gato Gallery, Barry University, Miami Shores, FL, November 8 |
| 2007 |
“Absence, Creativity and Imagination in Vermeer’s The Art of Painting,” co-presented with Dr. Francis Baudry, New York Psychoanalytic Institute, Florida Psychoanalytic Society regional meeting, Coral Gables, FL, October 27 |
| 2007 |
Scholars Study Day, invited discussant for the exhibition, Joachim Patinir and the Invention of Landscape, Museo Nacional del Prado, Madrid, Spain, September 24 |
| 2007 |
“Renaissance Gothic: The Originality and Appeal of Non-Classical Art in Sixteenth-Century Northern Europe,” Renaissance Society of America annual conference, Miami, March 22-24 |
| 2007 |
“Constructions of Masculinity in Early Modern Netherlandish Art, 1500-1650: I & II,” two panels co-chaired with Professor Rebecca Brienen, University of Miami, Renaissance Society of America annual conference, Miami, March 22-24 |
| 2006 |
Scholars Study Day, invited discussant for the exhibition, Extravagant! A Forgotten Chapter of Antwerp Painting, 1500-1530, sponsored by the Netherlandish Research School for Art History, Amsterdam, Bonnefantenmuseum, Maastricht, The Netherlands, March 7 |
| 2006 |
“Rembrandt, Master Printmaker,” Lowe Art Museum, University of Miami, Coral Gables, in conjunction with the exhibition, Rembrandt: The Consummate Etcher and Other Seventeenth-Century Printmakers, February 9 |
| 2004 |
“Art Imitates (Economic) Life: Antwerp Mannerist Painting and the Antwerp Market,” Sixteenth Century Studies Conference, Toronto, Canada, October 28-31 |
| 2003 |
“Space and Sex in Fifteenth-Century Netherlandish Art,” University of Miami, Coral Gables, November 4 |
| 2002 |
“Civic Iconography and Local Culture in Antwerp Adorations, 1500-1609,” Southeastern College Art annual conference, Mobile, AL, October 23-26 |
| 2001 |
“En-gendering Domestic Space in Campin and Van Eyck,” Group for Early Modern Cultural Studies Conference, Philadelphia, PA, November 15-18 |
| 2000 |
“A Case Study of Late-Gothic Spirituality: Style, Symbolism and Market Strategy in the Art of Jan de Beer,” Sixteenth Century Studies Conference, Cleveland, OH, November 1-4 |
| 1996 |
“Market Pictures and Merchant Culture: Two Sixteenth-Century Case Studies,” Circle of Art Historians in Western New York, Bi-annual meeting, Albright-Knox Art Gallery, Buffalo, NY, April |
| 1995 |
“Art and Capitalism in Antwerp: The Rise of Markets for Paintings and Prints, l430-l570,” Cornell University, Ithaca, NY, March |
| 1994 |
“An Antwerp ‘Triptych’: Three Examples of the Artistic and Economic Impact of the Early Antwerp Art Market,” “Antwerp: Artworks and Audiences” symposium (organized by Professor Larry Silver, Northwestern University), Smith College, Northampton, MA, November |
| 1989 |
“Frans Snyders’ Fable of the Fox and Crane and the Baroque Hierarchy of Subjects,” University of Rochester, Rochester, NY, December |
| 1988 |
“The Status of Architectural Preservation Efforts in Downtown Geneva, NY,” Landmark Society of Western New York, Rochester, NY, March |
| 1988 |
“Marketing Art in Antwerp’s Cathedral District, 1468-1547,” College Art Association annual conference, Houston, TX, February |
| 1987 |
“The Geneva Architecture of Richard Upjohn and Richard Michell Upjohn, 1862-1895,” Society of Architectural Historians - Western New York Group, Geneva Historical Society, Geneva, NY, November |
| 1985 |
“Past Imperfect: Classical Greek and Roman Painting and Their Renaissance Renewal,” Symposium co-organized with Professors Elena Ciletti and Ford Weiskittel, Hobart and William Smith Colleges, Geneva, NY, March |
| 1984 |
“Competing Loyalties: Federal Style, Greek Revival, and Cobblestone Construction in Central New York Architecture, 1820-1840,” Geneva Historical Society, Geneva, NY, May |
| 1983 |
“Antwerp and Artistic Innovation, 1500-1550,” Colgate University, Hamilton, NY, April |
| 1982 |
“Observations on the Symbolic Use of Costume in Medieval Literature and Art,” co-presented with Professor Clarence Butler, Hobart and William Smith Colleges, Geneva, NY, February |
| 1980 |
“Infrared Reflectography as a New Research Tool in the Study of Early Netherlandish Painting,” “New Methodologies in Art History” conference, Colgate University, Hamilton, NY, October |
| 1980 |
“Dancing Shepherds: A Nativity Motif and Its Symbolism in Late Medieval Art.” Faculty Colloquium, Hobart and William Smith Colleges, Geneva, NY, December |
| 1976 |
“Michelangelo’s Bruges Madonna and Its Renaissance Afterlife,” Graduate Students Symposium, Art Institute of Chicago, Chicago, IL, May |
| 1974 |
“Museum Training and Internship,” invited panel discussant, College Art Association annual conference, Detroit, MI, February |
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