Publications

“Art History Forward, and Back,” The Sixteenth Century Journal, 40/1 (Spring): 246-48  (special fortieth anniversary issue with essays on future directions in scholarship)

“Addenda à Jan van Eyck, les Alpes et la lune,” Revue de l’art 160/2: 82-83, in press (in French, translated from English: “Addendum to Jan van Eyck, the Alps and the Moon”) )

“Multiple Advantages, Moderate Production: Thoughts on Patinir and Marketing,” in Alejandro Vergara, ed., Patinir: Essays and Critical Catalogue,exhibition catalogue, Madrid, Museo Nacional del Prado, 80-95 (also published in Spanish)

Review of Dagmar Eichberger, ed., Women of Distinction: Margaret of York, Margaret of Austria, exhibition catalogue, Mechelen, Belgium (2005), in Historians of Netherlandish Art Newsletter and Review of Books 23/2 (November): 12-13

Review of Dirk de Vos, The Flemish Primitives: The Masterpieces (2003), in The Sixteenth Century Journal, 37/1 (Spring): 258-259

Jan de Beer, Master of Amiens, Pseudo-Bles entries (17) plus De Beer Biography, in P.van den Brink and M.P.J. Martens, eds., Extravagant! A Forgotten Chapter of Antwerp Painting, 1500-1530, exhibition catalogue, Antwerp, Belgium, and Maastricht, Netherlands (2005-2006), 54-94, 102-103, 210-211, 215-218, 223-224  (also published in Dutch)

“Magi and Merchants: The Force Behind the Antwerp Mannerists’ Adoration Pictures,” Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen [Antwerp Royal Museum of Fine Arts Yearbook] (2004-05; published in 2006): 275-299, 370-373

Review of John Michael Montias, Art at Auction in Seventeenth CenturyAmsterdam (2002), in the Newsletter of the American Association forNetherlandic Studies, 61/1(Spring): 6-7

Scott L. Montgomery, The Moon and the Western Imagination (2001), in TheSixteenth Century Journal, 34/3 (Fall 2003): 907-908

“Antwerp Mannerism,” in Jane Turner, ed., From Renaissance to Impressionism: Styles and Movements in Western Art, 1400-1900, St. Martin’s Press, New York, 5-7 

Review of Elizabeth Alice Honig, Painting and the Market in Early ModernAntwerp (1998), in Historians of Netherlandish Art Newsletter, 17/2 (November): 31-32

Review of Ethan Matt Kavaler, Pieter Bruegel: Parables of Order and Enterprise (1999), in Historians of Netherlandish Art Newsletter, 17/2 (November): 39-40

“Promise and Discovery: Beginning a New Academic Year,” Liberal Education (the Journal of the Association of American Colleges and Universities), 83/3 (Fall): 5l-54

The History of Houghton House and Its Grounds, Geneva, New York: 1852-1970, Hobart and William Smith Colleges, Geneva, NY: seven-page essay with historic photographs

“Antwerp Mannerism,” “Beer, Jan de,” “Master of Amiens,” commissioned entries for The Dictionary of Art, 34 vols, Grove/Macmillan, London and New York, vols. 2, 3, 20

“Archival Notes: Jan de Beer and Hendrik van Wueluwe (the Master of Frankfurt),” Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen: 29-34

“The New Paintings,” introduction to Avery Falkner: Recent Work, exhibition catalogue, J. & C. Gallery, Seoul, Korea (also published in Korean)

“Marketing Art in Antwerp, l460-l560:  Our Lady’s Pand,” The Art Bulletin, 72/4 (December): 558-584

“Richard Upjohn and the Gothic Revival in America,” in M. Wajda, ed., Upjohn Gothic Revival Architecture in Geneva, New York: Original Drawingsand Historic Photographs, exhibition catalogue, Geneva Historical Society, Geneva, NY, 5-6

“The Baptism of Christ by Hans Rottenhammer,” MUSE: Annual of the Museum of Art and Archaeology, University of Missouri - Columbia, 20: 66-80

“A Rediscovered Holy Kindred by Jan de Beer,” Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen: 85-l02

“Some Documentary Additions to the Biography of Jan de Beer,” JaarboekKoninklijk Museum  voor Schone Kunsten Antwerpen: 85-l03

“A New Crucifixion by Jan de Beer,” Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen: 37-60

H.W. Woodward, ed., Eighty Works in the Collection of the University of Michigan Museum  of Art: A Handbook, Ann Arbor, MI, Joos van Cleve entry: St. John the Baptist on Patmos

“Further Observations on the Bruges Madonna: Ghiberti Sources for Michelangelo,” Revue belge d’archéologie et d’histoire de l’art [Belgian Review of Archeology and Art History] 48: 77-83

“The Influence of Michelangelo’s Bruges Madonna,” Revue belge d’archéologie et d’histoire de l’art, 47: 77-105

William N. Hutton, ed., The Toledo Museum of Art: European Paintings, catalogue of the collection: researcher/contributing writer for the Northern Renaissance and Northern Baroque entries  

“A New Sebastiano Ricci,” The Toledo Museum of Art Museum News 17/3 (September): 7-l0

“Introduction” and Editor, Albert Kahn, Architect Abroad: Drawings from hisEuropean Travels, l890-l930, exhibition catalogue, Ann Arbor, University of Michigan Museum of Art: 3-4 and passim