Publications

Dan Ewing

  • 2016 Jan de Beer: Gothic Renewal in Renaissance Antwerp, Brepols Publishers, Turnhout, Belgium, 2016
  • 2016 Peter van den Brink and Dan Ewing, “Two ‘New’ Paintings by Jan de Beer: Technical Studies, Connoisseurship, and Provenance Research,” in Symposium XIX for the Study of Underdrawing and Technology in Painting, Bruges, 11-13 September 2014: Technical Studies of Painting – Problems of Attributions (15th- 17th Century), Louvain, in press
  • 2015 “Jan de Beer’s Lifetime Reputation and Posthumous Fate,” JHNA 7/2, DOI: 10.5092/jhna.2015.7.2.1
  • 2011 “Joos van Cleve und Leonardo: Italienische Kunst in niederländischer Übersetzung” [Joos van Cleve and Leonardo: Italian Art in Netherlandish Translation], in Joos van Cleve: Leonardo des Nordens, exh. catalogue, Suermondt-Ludwig-Museum, Aachen, Germany
  • 2009 “Art History Forward, and Back,” The Sixteenth Century Journal, 40/1
  • 2008 “Addendum à Jan van Eyck, les Alpes et la lune” [Addendum to Jan van Eyck, the Alps and the Moon], Revue de l’art 160/2
  • 2007 “Multiple Advantages, Moderate Production: Thoughts on Patinir and Marketing,” in Patinir: Essays and Critical Catalogue, exh. catalogue, Madrid, Museo Nacional del Prado
  • 2005 Jan de Beer, Master of Amiens, Pseudo-Bles – 20 entries plus De Beer Biography, in ExtravagAnt! A Forgotten Chapter of Antwerp Painting, 1500-1530, exh. catalogue, Koninklijk Museum voor Schone Kunsten, Antwerp, and Bonnefantenmuseum, Maastricht, The Netherlands
  • 2004 “Magi and Merchants: The Force Behind the Antwerp Mannerists’ Adoration Pictures,” Jaarboek Koninklijk Museum voor Schone Kunsten, Antwerpen
  • 2000 “Antwerp Mannerism,” in From Renaissance to Impressionism: Styles and Movements in Western Art, 1400-1900, New York
  • 1997 “Promise and Discovery: Beginning a New Academic Year,” Liberal Education 83/3
  • 1997 The History of Houghton House and Its Grounds, Geneva, New York: 1852-1970, Hobart and William Smith Colleges, Geneva, NY, historical essay
  • 1996 “Antwerp Mannerism,” “Beer, Jan de,” and “Master of Amiens,” in The Dictionary of Art, London (online at www.OxfordArtOnline.com)
  • 1994 “Archival Notes: Jan de Beer and Hendrik van Wueluwe (the Master of Frankfurt),” Jaarboek Koninklijk Museum voor Schone Kunsten, Antwerpen
  • 1992 “The New Paintings,” in Avery Falkner: Recent Work, exh. catalogue, J. & C. Gallery, Seoul, Korea
  • 1990 “Marketing Art in Antwerp, l460-l560: Our Lady’s Pand,” The Art Bulletin, 72/4
  • 1987 “Richard Upjohn and the Gothic Revival in America,” in Upjohn Gothic Revival Architecture in Geneva, New York: Original Drawings and Historic Photographs, exh. catalogue, Geneva Historical Society, Geneva, NY
  • 1986 “The Baptism of Christ by Hans Rottenhammer,” MUSE: Annual of the Museum of Art and Archaeology, University of Missouri - Columbia 20
  • 1984 “A Rediscovered Holy Kindred by Jan de Beer,” Jaarboek Koninklijk Museum voor Schone Kunsten, Antwerpen
  • 1983 “Some Documentary Additions to the Biography of Jan de Beer,” Jaarboek Koninklijk Museum voor Schone Kunsten, Antwerpen
  • 1980 “A New Crucifixion by Jan de Beer,” Jaarboek Koninklijk Museum voor Schone Kunsten, Antwerpen
  • 1979 “Joos van Cleve, St. John the Baptist on Patmos,” entry in Eighty Works in the Collection of the University of Michigan Museum of Art: A Handbook, Ann Arbor, MI
  • 1979 “Further Observations on the Bruges Madonna: Ghiberti Sources for Michelangelo,” Revue belge d’archéologie et d’histoire de l’art 48
  • 1978 “The Influence of Michelangelo’s Bruges Madonna,” Revue belge d’archéologie et d’histoire de l’art 47
  • 1976 Early Northern painting entries in The Toledo Museum of Art: European Paintings, catalogue of the collection, Toledo, OH
  • 1974 “A New Sebastiano Ricci,” The Toledo Museum of Art Museum News 17/3
  • 1973 Editor, Albert Kahn, Architect Abroad: Drawings from his European Travels, l890-l930, exh. catalogue, University of Michigan Museum of Art, Ann Arbor, MI