Stephen Althouse

Distinguished Professor of Fine Art

Stephen Althouse
Stephen Althouse Distinguished Professor of Fine Art
    • 2019 Orlando Museum of Art, Orlando Florida
    • 2019 Bellefonte Art Museum, Bellefonte, Pennsylvania
    • 2018 Museum Moderner Kunst Kärnten, Klagenfurt, Austria
    • 2018 Mobile Museum of Art, Mobile, Alabama
    • 2018 Galerie Michaela Stock, Vienna, Austria
    • 2018 Museum of Art, Juniata College, Huntingdon, Pennsylvania
    • 2018 Bellefonte Art Museum, Bellefonte, Pennsylvania
    • 2017 Susquehanna Art Museum, Harrisburg, Pennsylvania
    • 2016 Samek Art Museum, Bucknell University, Lewisburg, Pennsylvania
    • 2015 The Dairy Center for the Arts, Boulder Colorado
    • 2014 Museum of Art-DeLand, Florida
    • 2014 Bellefonte Art Museum, Bellefonte, Pennsylvania
    • 2013 The Green Drake Gallery of Art and Art Center, Millheim, Pennsylvania
    • 2012 Allentown Art Museum of the Lehigh Valley, Allentown, Pennsylvania
    • 2012 Robeson Gallery of Art, Pennsylvania State University, University Park, Pennsylvania
    • 2010 Butler Institute of American Art, Youngstown, Ohio
    • 2010 Sloan Fine Arts Center, Lock Haven University of Pennsylvania, Lock Haven, Pennsylvania
    • 2009 Boca Raton Museum of Art, Boca Raton, Florida
    • 2009 Beaux-arts des Amériques, Montréal, Canada
    • 2009 Galerie Ruhnke , Potsdam/Berlin, Germany
    • 2007 Peabody Gallery, Western College of Miami University, Oxford, Ohio
    • 2006 Art Museum of Miami University, Oxford, Ohio
    • 2005 Internationale Fototage, Mannheim, Germany
    • 2005 Silver Eye Center for Photography, Pittsburgh, Pennsylvania
    • 2005 Gallery of Art, Cultural Center, Miami-Dade Main Library, Miami, Florida
    • 2005 Gallery of Art, Virginia Intermont College, Bristol, Virginia
    • 2004 Museé d’Art moderne et d’Art contemporain, Liège, Belgium
    • 2004 Gallery of Art, Barry University, Miami, Florida
    • 2001 Northlight Gallery, Arizona State University, Tempe, Arizona
    • 2001 Atrium Gallery of St. Thomas University, Miami, Florida
    • 2001 Gallery of Art, Barry University, Miami, Florida
    • 2000 Florida Center for Photography, Coral Gables, Florida
    • 1996 Miami-Dade Cultural Resource Center, Miami, Florida
    • 1993 University of Michigan, Ann Arbor, Michigan
    • 1993 Connecticut Photographics, Danbury, Connecticut
    • 1992 Museo Arqueologico La Merced, Cali, Colombia
    • 1992 Centro Colombo/Americano Gallery, Manizales, Colombia
    • 1992 Centro Colombo/Americano Gallery, Barranquilla, Colombia
    • 1992 Centro Colombo/Americano Gallery, Pereira, Colombia
    • 1991 Centro Colombo/Americano Gallery, Medellín, Colombia
    • 1989 Focal Point Gallery, City Island, New York
    • 1989 Tulsa Photography Collective/Pictures Gallery, Tulsa, Oklahoma
    • 1989 Gallery of Art, Barry University, Miami, Florida
    • 1988 International Photography Hall of Fame & Museum, Oklahoma City
    • 1988 Municipalidad de Miraflores, Lima, Peru
    • 1988 Galeria 2 V's, Lima, Peru
    • 1987 Tyler School of Art-Temple University, Philadelphia, Pennsylvania
    • 1986 Villanova University, Philadelphia, Pennsylvania
    • 1986 Lehigh University, Bethlehem, Pennsylvania
    • 1985 Broward Community College, Ft. Lauderdale, Florida
    • 1984 Southeastern Center for Contemporary Art, Winston-Salem, North Carolina
    • 1984 Gallery of Art, Barry University, Miami, Florida
    • 1983 Galeria 8, Miami-Dade Community College, Bilingual Division, Miami, Florida
    • 1980 Gallery of Art, Barry University, Miami, Florida
    • 1976 Graduate Thesis Exhibition, Virginia Commonwealth University, Richmond, Virginia
    • 2019 Opposites, Attleboro Arts Museum, Attleboro, Massachusetts June 12-July 15
    • 2019 Inspiration:Studies and Source, Specto Art Space, Harrisonburg, Virginia Aug 2-Sept 3
    • 2018 Self Portraits, Bellefonte Art Museum, Bellefonte, Pennsylvania
    • 2017 Fokus Sammlung 05 Stilleben, Museum Moderner Kunst Kärnten, Klagenfurt, Austria
    • 2017 Kolga, Museum of Modern Art Tbilisi, Tbilisi, Republic of Georgia
    • 2017 Exposition en milieu de travail, ROI Vision Montréal, Québec, Canada
    • 2017 Estraño-Strange Things, Lehigh University Art Galleries, Bethlehem, Pennsylvania
    • 2017 Exposition en milieu de travail, Roussin Lessard Montréal, Québec, Canada
    • 2016 Kolga, Museum of Modern Art Tbilisi, Tbilisi, Republic of Georgia
    • 2016 Internationale Photoszene Köln, Galerie Lichtblick, Cologne, Germany
    • 2016 Visual Poetry, Lehigh University Art Galleries, Bethlehem, Pennsylvania
    • 2016 Space Veggies and Earth Plants #2, Galerie Lichtblick, Cologne, Germany
    • 2015 Bellefonte Art Museum, Bellefonte, Pennsylvania
    • 2015 Nature Morte: Mis a Jour, Beaux-arts des Amériques, Montréal, Canada
    • 2015 Convergence, Station Gallery, Lock Haven University, Lock Haven, Pennsylvania
    • 2015 Exposition en Milieu de Travail, CIA Global, Montréal, Canada
    • 2015 Affordable Art Fair, New York, New York
    • 2015 Exposition en Milieu de Travaile, Mississauga, Ontario, Canada
    • 2014 Confluences, L’Artothèque, Montréal, Canada
    • 2014 Country Living, Samek Art Museum, Bucknell University, Lewisburg, Pennsylvania
    • 2014 Exposition en Milieu de Travaile, Mississauga, Ontario, Canada
    • 2013 Fabric of Life, Allentown Art Museum, Allentown, Pennsylvania
    • 2013 Affordable Art Fair, New York, New York
    • 2012 Under the Radar: The New Visionaries, Guided by Invoices Gallery, New York, New York
    • 2012 Exposition Collective, Beaux-arts des Amériques, Montréal, Canada
    • 2012 The End of War Exhibition, Northlight Gallery, Arizona State University, Tempe, Arizona
    • 2012 Contemporary American Photography, Georgian National Museum, Tbilisi, Republic of Georgia
    • 2012 Gamble Mill Gallery, Bellefonte, Pennsylvania
    • 2011 Der Zweit Blick, Galerie Lichtblick, Cologne, Germany
    • 2011 Exposition Collective, Beaux-arts des Amériques, Montréal, Canada
    • 2010 Pimp the Timp, Galerie Lichtblick, Cologne, Germany
    • 2010 Toronto International Art Fair, Toronto, Canada
    • 2010 Exposition Collective, Beaux-arts des Amériques, Montréal, Canada
    • 2009 Del Icono al Objeto, Museo Nacional de Bellas Artes, Buenos Aires, Argentina
    • 2009 Ring of Truth, Art Museum of Miami University, Oxford, Ohio
    • 2008 Die Sammlung, Lentos Kunstmuseum, Linz, Austria
    • 2008 Petites Choses, Beaux-arts des Amériques, Montréal, Canada
    • 2008 Scanner as Camera, Staniar Gallery, Washington and Lee University, Lexington, Virginia
    • 2007 The Martin Z. Margulies Collection, Miami Florida
    • 2006 Scanner as Camera, Tuska Center for Contemporary Art, University of Kentucky, Lexington, Kentucky
    • 2006 The Art of Photography, Lyceum Theatre, Horton Plaza, San Diego, California
    • 2005 Aus Amerika, Galerie Lichtblick, Cologne, Germany
    • 2005 Miami Center for the Photographic Arts, Miami, Florida
    • 2005 Out of the Darkroom Exhibition, Art Museum of Miami University, Oxford, Ohio
    • 2004 Biennial Exhibition of Photography, Royal Academy of Fine Arts, Liège, Belgium
    • 2004 Kresge Art Museum Photography Holdings, Kresge Art Museum, East Lansing, Michigan
    • 2003 Afterimage Gallery, Coral Gables, Florida
    • 2002 Tokyo Photographic Cultural Center, Tokyo, Japan
    • 2002 Society for the Four Arts, Palm Beach, Florida
    • 2002 Truman State University, Kirksville, Missouri
    • 2001 Center for Contemporary Art, Abilene, Texas
    • 2000 Neue Galerie der Stadt Linz, Austria
    • 2000 Jubilee 2000, Miami Beach Convention Center, Florida
    • 1998 Museo Nacional de Bellas Artes, Buenos Aires, Argentina
    • 1998 Armory Center for the Arts, West Palm Beach, Florida
    • 1995 Photo L.A., Butterfield and Butterfield Gallery, Los Angeles, California
    • 1994 New Art Examined, Stephen Rose Gallery, Indianapolis, Indiana
    • 1994 Chicago Photographic Print Show, Cultural Center, Chicago, Illinois
    • 1994 Photos and Photos Gallery, Miami, Florida
    • 1994 Harvest the Wind, Fairchild Tropical Gardens, Miami, Florida
    • 1993 Harvest the Wind, Columbus Center, Miami, Florida
    • 1993 The New England Fine Art Institute, Boston, Massachusetts
    • 1993 Harvest the Wind, Miami Art Museum, Miami, Florida
    • 1991 Winthorp Galleries, School of Visual & Performing Arts, Rockhill, South Carolina
    • 1991 Photo Nominal 91, The Forum Gallery, Jamestown, New York
    • 1991 Fact & Fiction: Harn Museum of Art, UF, Gainesville, Florida
    • 1991 Fact & Fiction: Pensacola Museum of Art, Pensacola, Florida
    • 1991 Fact & Fiction: The State of Florida Photography: Miami Art Museum, Miami, Florida
    • 1990 Fact & Fiction: Fine Arts Museum , FSU, Tallahassee, Florida
    • 1990 Fact & Fiction: Museum of Fine Arts, St. Petersburg, Florida
    • 1990 Fact & Fiction: The Norton Gallery, West Palm Beach, Florida
    • 1990 From Fact to Symbol, University of North Florida, Jacksonville, Florida
    • 1990 Contemporary Photography, Series 10, Museum of Art, Boca Raton, Florida
    • 1990 9 Florida Photographers, Vero Beach Museum of Art, Vero Beach, Florida
    • 1989 Recent Acquisitions, Corcoran Museum of Art, Washington, D.C.
    • 1989 New Acquisitions, Lehigh University, Bethlehem, Pennsylvania
    • 1989 All Florida Exhibition, Museum of Art, Boca Raton, Florida
    • 1989 Zack Shuster Gallery, Miami, Florida
    • 1989 Blatent Image/Silver Eye Gallery, Pittsburgh, Pennsylvania
    • 1988 Intentions and Techniques, Barry University, Miami, Florida
    • 1988 Photowork '88, Photogroup, Miami, Florida
    • 1987 Art Quest '87, University of California, Los Angeles, California
    • 1987 Art Quest '87, Art Institute, Boston, Massachusetts
    • 1987 New Acquisitions, Lehigh University,Bethlehem, Pennsylvania
    • 1986 Maine Photographic Workshop Annual Show, Puck Building Gallery, New York, New York
    • 1986 Photowork '86, Photogroup, Miami, Florida
    • 1985 Selected Photographs, The Print Club, Philadelphia, Pennsylvania
    • 1985 The Art of Miami, Southeastern Center of Contemporary Art, Winston-Salem, North Carolina
    • 1985 Photowork '85, Photogroup, Miami, Florida
    • 1984 Icon/Image, Center for the Fine Arts, Miami, Florida
    • 1984 Hortt Memorial Exhibition, Museum of Art, Fort Lauderdale, Florida
    • 1984 Photography: A Personal Collection, Museum of Contemporary Art, North Miami, Florida
    • 1984 Photography: A Personal Collection, Squires Art Center, Virginia Tech., Blacksburg, Virginia
    • 1984 Photography: A Personal Collection, Museum of Arts and Sciences, Daytona Beach, Florida
    • 1983 Photography: A Personal Collection, Florida Gulf Coast Art Center, Belleair, Florida
    • 1983 Photography: A Personal Collection, Brevard Art Center, Melbourne, Florida
    • 1983 Southern Fervor, Anderson Gallery, Virginia Commonwealth University, Richmond, VA
    • 1983 59th Internat’l Print and Photography Exhibition, The Print Club, Philadelphia, Pennsylvania
    • 1982 LaGrange National Competition, CVAA, LaGrange, Georgia
    • 1981 National Photography Exhibition, Aura Publications, Boston, Massachusetts
    • 1981 National Juried Photography Exhibition, Ringold Corporation, Houston, Texas
    • 1981 Southeastern Photography Bienniel, Ashville Art Museum, North Carolina
    • 1981 Terrance Gallery National Juried Exhibition, Palenville, New York
    • 1981 LaGrange National Competition, CVAA, LaGrange, Georgia
    • 1981 Community Art Alliance Juried Show, HACC, Hollywood, Florida
    • 1981 Hortt Memorial Exhibition, Museum of Art, Fort Lauderdale, Florida
    • 1981 All Florida Artists Open Competition, Museum of Art, Boca Raton, Florida
    • 1981 Made in Dade Exhibition, Main Library, Miami, Florida
    • 1981 New Photographics'80: Central Washington University, Ellensburg, Washington
    • 1981 New Photographics'80: Evergreen State College, Olympia, Washington
    • 1980 New Photographics'80: East Tennessee State University, Johnson City, Tennessee
    • 1980 New Photographics'80: College of the Redwoods, Eureka, California
    • 1980 56th National Art Exhibition, Museum of Art, Springville, Utah
    • 1980 Paperworks'80 (traveling show), Quinland Art Center, Gainsville, Georgia
    • 1980 45th National Fine Arts Exhibition, CAA, Cooperstown, New York
    • 1980 All Florida Artists Open Competition, Museum of Art, Boca Raton, Florida
    • 1980 Hortt Memorial Exhibition, Museum of Art, Fort Lauderhill, Florida
    • 1979 National Fine Arts Photography Exhibition, Art Alliance of Jacksonville, Florida
    • 1979 National Photography Competition, Greater Birmingham Arts Alliance, Birmingham, Alabama
    • 1979 20th Dixie Annual Exhibition, Montgomery Museum, Montgomery, Alabama
    • 1979 7th Annual National Photography Exhibition, Second Street Gallery, Charlottesville, Virginia
    • 1979 13th Gulf Coast Annual, Belleair, Florida
    • 1979 Hortt Memorial Exhibition, Museum of Art, Fort Lauderdale, Florida
    • 1979 19th Annual Invitational Fine Arts Exhibition, Museum of Science, Miami, Florida
    • 1978 Arena Art Open, Binghamton, New York
    • 1978 LaGrange National Competition, CVAA, LaGrange, Georgia
    • 1978 Masur Museum Photography Exhibition, Monroe, Louisiana
    • 1977 LaGrange National Competition, CVAA, LaGrange, Georgia
    • 1976 Exhibition 280 of Photography, Huntington Galleries, Huntington, West Virginia
    • 1976 Exhibition of American Photography, Andromeda Gallery, Buffalo, New York
    • 1975 Abingdon Festival of the Arts, Abingdon, Virginia
    • 1975 40th Drawing and Photography Exhibition, Gallery of Contemp. Art, Winston-Salem, NC
    • 1975 Exhibition of Virginia Photographers, Virginia Museum, Richmond, Virginia
    • 1974 Exhibition 280 of Photography, Huntington Galleries, Huntington, West Virginia
    • 1973 7th Annual James River Juried Exhibition, Mariners Museum, Newport News, Virginia
    • 1973 Cheltenham Sculpture Exhibition, Philadelphia Civic Center, Philadelphia, Pennsylvania
    • 1973 Richmond Show for Undiscovered Photographers, Virginia
    • 1973 Pennsylvania Sculpture Exhibition, Pennsylvania State University, State College, Pennsylvania
    • 1972 Piedmont Sculpture Exhibition, Mint Museum, Charlotte, North Carolina
  • Allentown Art Museum of the Lehigh Valley, Allentown, Pennsylvania

    • Rake I 42x31 in.

     

    Art Museum, Indiana University, Bloomington, Indiana

    • Hammer with Braille 42x31 in.

     

    Art Museum, Miami University, Oxford, Ohio

    • Closed Tongs, 2004 38x55 in. 97x140 cm
    • Sacred Tongs, 2004 42x31 in. 107x79 cm
    • Axe and Tapestry, 2003 42x31 in. 107x79 cm
    • Clamps and Shroud, 2003 31x42 in. 79x107 cm

    Bayerische Staatgemäldesammlungen, Neue Pinakothek, Munich, Germany

    • Violin III (Vanitas...), 1993 10x13 in. 25x33 cm
    • ...Sum, 1993 13x10 in. 33x25 cm

     

    Boca Raton Museum of Art, Boca Raton, Florida

    • Silver Hands 19x15 in.
    • Bedscape 15x15 in.

     

    Boston Museum of Fine Arts, Boston, Massachusetts

    • Glove I, 1987 19x15 in. 48x38 cm

     

    Boston Museum of Fine Arts, Boston, Massachusetts

    • Glove I 19x15 in.

     

    Broad Art Museum, East Lansing, Michigan

    • Violin II 19x15 in.

     

    Butler Institute of American Art, Youngstown, Ohio

    • Bull Binders 42x31 in.

     

    Centre d’Art et de Culture Georges-Pompidou, Paris, France

    • Ubi Lapsus, 1993 19x19 in. 48x48 cm
    • Santa Lucia, 1983 15x15 in. 38x38 cm
    • Coined Phrase, 1982 15x15 in. 38x38 cm
    • Zebra Street, 1980 18x14 in. 46x35 cm

     

    Centro Cultural de Arte Contemporáneo, Mexico City, Mexico

    • Papyrus, 1984 15x15 in. 38x38 cm

     

    Corcoran Gallery of Art, Washington, D.C.

    • Bootweight I, 1984 15x15 in. 38x38 cm
    • Stigmata II, 1982 15x15 in. 38x38 cm

    Detroit Institute of Arts, Detroit, Michigan

    • Toth, rest in me again, 1985 19x15 in. 48x38 cm

     

    Dorsky Museum of Art, CPW Collection, New Paltz, New York

    • Goodbye II 8x10 in

    Flint Institute of Arts, Flint, Michigan

    • Violin I, 1991 23x19 in. 58x48 cm
    • Goodbye II, 1988 19x15 in. 48x38 cm

     

    Fogg Museum, Harvard University, Cambridge, Massachusetts

    • Angels Die Hard II, 1987 19x15 in. 48x38 cm
    • Silver Hands, 1987 19x15 in. 48x38 cm
    • Zebra Street, 1980 18x14 in. 46x35 cm

     

    Fotomuseum, Winterthur, Switzerland

    • X-Ray II, 1994 23x19 in. 58x48 cm
    • Karnak, 1984 15x15 in. 38x38 cm

     

    Huntington Museum, Huntington, West Virginia

    • Minnie’s Knight, 1974 8x10 in. 20x25 cm

    Instituto de Bellas Artes, Cartagena, Colombia

    • Santa Lucia, I feel you now, 1981 15x15 in. 38x38 cm

     

    Kunstbibliothek, Staatliche Museen zu Berlin, Germany

    • Inca Wall, 1992 23x19 in. 58x48 cm
    • Blades I, 1985 19x15 in. 48x38 cm

     

    Kunsthalle Mannheim, Germany

    • Door with Flames 85.5x57.5 in.
    • Tumis 15x15 in.
    • Stigmata II 15x15 in

    Kunstmuseum Bern, Switzerland

    • Standing Armor, 1995 23x17 in. 58x43 cm

     

    Kunstmuseum Bonn, Germany

    • X-Ray I, 1994 23x19 in. 58x48 cm

    Kunstmuseum Luzern, Switzerland

    • Nazca I, 1988 10x13 in. 25x33 cm
    • Nazca II, 1988 10x13 in. 25x33 cm
    • Nazca III, 1988 10x13 in. 25x33 cm

    Kunstmuseum Stuttgart, Germany

    • X 19x23 in.
    • Violin I 23x19 in.

     

    Lehigh University Collection, Bethlehem, Pennsylvania

    • Blinder Bridle, 2003 42x31 in. 107x79 cm
    • Hammer with Braille, 2003 42x31 in. 107x79 cm
    • Darts II, 1994 19x23 in. 48x58 cm
    • Glove II, 1987 17x15 in. 43x38 cm
    • Santa Lucia, I feel you now, 1981 15x15 in. 38x38 cm
    • Zebra Street, 1980 18x14 in. 46x35 cm

    Lentos Kunstmuseum Linz, Austria

    • Glove I 19x15 in.
    • Goodbye I 19x23 in.

     

    Ludwig Museum, Koblenz, Germany

    • Shovel with Braille 85.5 x 57.5 in.

    Maison Européenne de la Photographie, Paris, France

    • Mask III, 1997 23x19 in. 58x48 cm
    • Framed Arrows, 1994 19x23 in. 48x58 cm
    • Rib II, 1993 19x15 in. 48x38 cm

     

    Mobile Museum of Art, Mobile, Alabama

    • Rusted Crown 59.5 x 88 in.

    Montgomery Museum of Fine Arts, Montgomery, Alabama

    • Jesus on the Keyboard, 1978 10x13 in. 25x33 cm

     

    Münchner Stadtmuseum - Fotomuseum, Munich, Germany

    • Sacred Hand 19x15 in.
    • Dogon Christmas 15x15 in.
    • Final Rest 15x15 in.
    • The Apicklypse 19x12 in.
    • Sacred Heart 15x19 in.

    Museé d’Art moderne et d’Art contemporain, Liège, Belgium

    • Sacred Tongs, 2004 42x31 in. 107x79 cm
    • Closed Tongs, 2004 31x42 in. 79x107 cm
    • Iron Roses, 2004 42x31 in. 107x79 cm
    • Adjustable Wrench, 200331x42 in. 79x107 cm
    • Massacre Ardennais, 2003 42x31 in. 107x79 cm
    • Autumn Plant, 2003 42x31 in. 107x79 cm
    • Axe, Wood, and Shroud, 200331x42 in. 79x107 cm
    • Axe and Tapestry, 2003 42x31 in. 107x79 cm
    • Bridle, 2003 42x31 in. 107x79 cm
    • Blinder Bridle, 2003 42x31 in. 107x79 cm
    • Belgian Chisel, 2003 42x31 in. 107x79 cm
    • Belgian Shears, 2003 42x31 in. 107x79 cm
    • Brick and Ivy, 200331x42 in. 79x107 cm
    • Clamps, 2003 31x42 in. 79x107 cm
    • Clamps and Shroud, 2003 31x42 in. 79x107 cm
    • Hammer with Braille, 2003 42x31 in. 107x79 cm
    • Inlay, 200342x31 in. 107x79 cm
    • Rake I, 2003 42x31 in. 107x79 cm
    • Reins and Bit, 200342x31 in. 107x79 cm
    • Royal Spindle, 200342x31 in. 107x79 cm
    • Sacred Tongs, 2004 42x31 in. 107x79 cm
    • Saw, 2003 42x31 in. 107x79 cm
    • St. Bernard, 2003 42x31 in. 107x79 cm
    • String and Nail, 2003 42x31 in. 107x79 cm
    • Washboard, 200342x31 in. 107x79 cm
    • Dart I, 2001 23x19 in. 58x48 cm
    • Goodbye I, 198719x23 in. 48x58 cm
    • Papyrus, 1984 15x15 in. 38x38 cm

     

    Museé de Beaux-Arts d’Ixelles, Brussels, Belgium

    • Bedscape, 1984 15x15 in. 38x38 cm
    • Raft, 1981 15x15 in. 38x38 cm

    Museé Français de la Photographie, Bièvres, France

    • Mask IV, 1997 23x19 in. 58x48 cm
    • Mask V, 1997 23x19 in. 58x48 cm

     

    Museé de la Photographie, Charleroi, Belgium

    • Darts III, 1994 15x19 in. 38x48 cm
    • Miami Threshold, 1985 15x19 in. 38x48 cm
    • San Zorrito, 1979 15x15 in. 38x38 cm

    Museo de Arte, Lima, Perú

    • Ribbons and Charms, 1987 15x19 in. 38x48 cm
    • Violin I 23 x 19 in

     

    Museo de Arte Contemporaneo, Bogota, Colombia

    • Glove II, 1987 17x15 in. 43x38 cm

    Museo de Arte Contemporaneo - Museo de Santa Cruz, Toledo, Spain

    • Glove II, 1987 7x15 in. 43x38 cm
    • La Alhambra, 1984 15x15 in. 38x38 cm

    Museo de Arte Moderno, Bogota, Colombia

    • unknown title

    Museo de Arte Moderno, Cartagena, Colombia

    • Goodbye I, 1987 19x23 in. 48x58 cm

     

    Museo de Arte Moderno - Casa de la Cultura Ecuadoriana, Quito, Ecuador

    • Ribbons and Charms, 1987 15x19 in. 38x48 cm

     

    Museo de Arte Moderno, Medellín, Colombia

    • Glove I, 1987 19x15 in. 48x38 cm

    Museo de la Real Academia de Bellas Artes San Fernando, Madrid, Spain

    • Violin III (Vanitas...), 1993 10x13 in. 25x33 cm
    • ...Sum, 1993 13x10 in. 33x25 cm

     

    Museo Nacional de Bellas Artes, Buenos Aires, Argentina

    • Keys, 1994 21x19 in. 48x53 cm
    • Ubi Lapsus, 1993 19x19 in. 48x48 cm

     

    Museum of Art, University of Michigan, Ann Arbor, Michigan

    • Keys, 1994 21x19 in. 48x53 cm
    • Bootweight II, 1993 19x23 in. 48x58 cm

     

    Museum of Art, University of Oklahoma, Norman, Oklahoma

    • Ribbons and Charms, 1987 15x19 in. 38x48 cm

    Museum of Art-DeLand, Florida

    • Door with Flames 96x59.5 in.
    • Royal Spindle 42 x 31 in.
    • Mask III 26 x 21.5 in.

    Museum of Contemporary Photography, Chicago, Illinois

    • Axe, Wood, and Shroud, 2003 38x55 in. 97x140 cm
    • Rake I 42x31 in.

     

    Museum of Fine Arts, St. Petersburg, Florida

    • Goodbye II, 1988 19x15 in. 48x38 cm

    Museum für Gestaltung, Zürich, Switzerland

    • Rib I, 1993 19x19 in. 48x48 cm
    • ...Sum, 1993 23x19 in. 58x48 cm

     

    Museum Ludwig, Cologne, Germany

    • 100 Intis, 1988 19x15 in. 48x38 cm
    • Toth, rest in me again, 1985 19x15 in. 48x38 cm

    Museum Moderner Kunst, Vienna, Austria

    • Ubi Lapsus, 1993 19x19 in. 48x48 cm
    • Dark Blade, 1988 19x23 in. 48x58 cm
    • Goodbye II, 1988 19x15 in. 48x38 cm
    • Bootweight I, 1984 15x15 in. 38x38 cm

     

    Museum Moderner Kunst Kärnten, Klagenfurt, Austria

    • Broken Wagon 57.5x92.5 in.
    • Door with Flames 85.5x57.5 in.
    • Door with Hole 85.5x57.5 in.
    • Medal with Braille 45.5x33.5 in.
    • Plumb Line 56.5x41.5 in.
    • Shovel with Braille 92.5x57.5 in.
    • Chairs Diptych 96x120 in.
    • Axe with Braille 56.5x41.5 in.
    • Broken Bow 57.5x85.5 in.
    • Clamp and Shroud 56.5x41.5 in.
    • Ladder 57.5x108.5 in.
    • Forks with Braille 41.5x61.5 in.
    • Pick with Braille II 45.5x33.5 in.
    • Sleeve Ribbon 45.5x33.5 in.
    • Wheel I 57.5x85.5 in.
    • Clamps and Shroud 57.5x85.5 in.
    • Rake I 56.5x41.5 in.

    Museum der Moderne Rupertinum, Salzburg, Austria

    • Friends in the Forward Cabin 15x15 in.
    • Galapagos I 15x15in.

    Museum voor Fotografie, Antwerp, Belgium

    • Darts II, 1994 19x23 in. 48x58 cm
    • Keys, 1994 21x19 in. 48x53 cm
    • Angels Die Hard II, 1987 19x15 in. 48x38 cm

    Norton Museum of Art, West Palm Beach, Florida

    • Papyrus, 1984 15x15 in. 38x38 cm
    • Santa Lucia, I feel you now, 1981 15x15 in. 38x38 cm

    Oklahoma City Museum of Art, Oklahoma City, Oklahoma

    • La Alhambra 15x15 in

     

    Orlando Museum of Art, Orlando, Florida

    • Shovel with Braille 96x59.5 in.
    • Knot III 88x59.5 in.

    Piñacoteca de Bellas Artes, Manizales, Colombia

    • untitled ( Llama bone ), 1990 19x15 in. 48x38 cm

     

    Polaroid International Collection, Cambridge, Massachusetts

    • Jesus on the Keyboard, 1978 10x13 in. 25x33 cm

    Royal Photographic Society, Bath, England

    • Eddie lost his Patience, 1979 15x15 in. 38x38 cm
    • Gauntlets, 1994 23x19 in. 58x48 cm

    Samek Art Museum, Bucknell University, Lewisburg, Pennsylvania

    • Knot III (Horse Armor 88x59.5 in.
    • Chartres 33.25x50.75 in.

     

    Staatsgalerie, Stuttgart, Germany

    • Carriage Driver’s Fantasy, 1984 15x15 in. 38x38 cm
    • Pancha la Plancha, 1978 15x15 in. 38x38 cm

    Southeast Museum of Photography, Daytona Beach, Florida

    • Io, 1980 15x15 in. 38x38 cm

    Stedelijk Museum, Amsterdam, Netherlands

    • Ubi Lapsus, 1993 19x19 in. 48x48 cm

     

    Tokyo Photographic Cultural Center, Tokyo, Japan

    • Mask and Ground Nuts, 2002 13x10 in. 33x25 cm
    • Mask and Chain Link, 2002 13x10 in. 33x25 cm
    • Mask and Roots, 2002 13x10 in. 33x25 cm

     

    Vero Beach Museum of Art, Vero Beach, Florida

    • Violin I, 1991 23x19 in. 58x48 cm
    • White Bird, 1980 19x19 in. 48x48 cm

    Villanova University Collection, Philadelphia, Pennsylvania

    • Toth, rest in me again, 1985 19x15 in. 48x38 cm
  • EXHIBITION CATALOGS:

    • Wetzlinger-Grundnig, C. (2018) Stephen Althouse – Metaphern der Menschlichkeit Klagenfurt, Austria: Museum Moderner Kunst Kärnten, ISBN 978-3-9503572-8-8
    • Rinehart, R. (2016)SALTHOUSE
      Lewisburg, Pennsylvania: Samek Art Museum, Bucknell University
    • Dietschy, N. (2016) Le Christ au Miroir de la Photographie Contemporaine
      Neuchâtel, Switzerland: Editions Alphil, ISBN 978-88930-088-4, p. 62-65
    • Rinehart, R. (2014) Country Living, Samek Art Museum
      Lewisburg, Pennsylvania, Bucknell University, p.40-41
    • Acuff, J. B. and Evans, L. Editors (2014) Multiculturalism in Art Museums Today
      London: Rowman and Littlefield Publishers, ISBN 9780759124103, p. 243
    • Barrett, T. (2010) Making Art: Form and Meaning
      New York: McGraw-Hill Publishers, ISBN 0072521783, p. 227
    • Blazier, W. M. et al (2009) Stephen Althouse, Tools and Shrouds
      Boca Raton, FL: Boca Raton Museum of Art, ISBN 0-936859-79-2
    • Baum, P., Reutner, B. (2008) Fotografie, die Sammlung
      Linz, Austria: Lentos Kunstmuseum Linz, ISBN 390222323-5, p.24-25
    • Stern, B.S. Editor (2008) Curriculum and Teaching Dialogue
      Chapter by Mullins, H.C. Exploring Metaphors of Meaning, Narratives of Hope
      Charlotte, NC: Information Age Publishers, ISBN 13:9781593119904, p.73-86
    • Schelhorn, T. (2005) 7.Internationale Fototage Mannheim/Ludwigshafen
      Mannheim, Germany: Das Bild Forum, ISBN 3898232484, p.8
    • Facio, S. (2005) Colección Fotográfica del Museo Nacional de Bellas Artes
      Buenos Aires, Argentina: La Azotea Publishers, ISBN 9509536318, p.114
    • Baum, P. (2001) Photographie, die Sammlung
      Linz, Austria: Neue Galerie der Stadt Linz, p.21
    • Motz, D. (2000) Kreative Bildgestaltung
      Munich, Germany: Laterna Magica Publishers, ISBN 3874677885, p.112
    • Meyers, J. F. (1989) The Language of Visual Art
      New York: Holt, Rinehart & Winston Publishers, ISBN 0030126045, p.224-225
    • Faulkner, et al (1987) Art Today
      New York: Holt, Rinehart & Winston Publishers, ISBN: 0030640393, p.174

    MAGAZINES/JOURNALS:

    • Dec 2016 The Woven Tail Press Vol. IV #10, Tyler, S. Editor (2016) Setauket, New York, The Woven Tale Press Publishers, ISSN 2469-5475, cover/p. 39-46
    • Apr 2016 Et Cetera Magazine, Photography of Stephen Althouse, by Dante Fresse, Bucknell University, Pennsylvania
    • Mar 2011 Journal of Holistic Nursing, Vol 29, No 1, Aesthetics – “Art Interpretation as a Clinical Intervention Toward Healing”, by Patrice Rancour, Terry Barrett PhD 10.177/0898010109358768
    • May 2009 (International) Journal of Arts Education, “Stories” by Terry Barrett
    • May 2007 Open End, Oxford, Ohio, p. 148-157
    • May/Jun 2004 ProfiFoto, Düsseldorf, Germany, p. 4-5
    • May 2003 Tulane Review, New Orleans, Louisiana p. 64-65
    • Apr 2000 Chicago Art Journal, Chicago, Illinois p.96-97
    • Jun 1998 Color Foto, Munich, Germany p.6-13
    • Dec 1996 National Geographic, Washington, D.C. p.1
    • Sep 1989 The Photo Review, Langhorne, Pennsylvania p.45
    • Sep 1989 Photopaper , Pittsburgh, Pennsylvania p.12
    • Aug 1988 Careta, Peruvian Magazine, Lima, Peru p.71
    • Jul 1988 Oiga, Peruvian Magazine, Lima, Peru p.77
    • Oct 1983 Photomethods, New York, New York p.39
    • Jul/Aug 1983 Art Papers, Atlanta, Georgia p.3 and 16
    • Apr/May 1982 Marquee, Magazine of the Arts, Miami, FL p.40-45
    • Feb/Mar 1982 Animal Kingdom, New York, New York p.12
    • Nov 1981 Discover, Time/Life Magazine, New York, New York p.69
    • Sep 1976 Aura, Boston, Massachusetts p.22
    • June 1976 Aura, Boston, Massachusetts p.33
    • Sep 21, 2019 Orlando Museum of Art, Orlando, Florida
    • Oct 5, 2018 Mobile Museum of Art, Mobile, Alabama
    • Jun 21, 2018 Museum Moderner Kunst Kärnten, Klagenfurt, Austria
    • Jun 16, 2018 Museum Moderner Kunst Kärnten, Klagenfurt, Austria
    • Jun 15, 2018 Museum Moderner Kunst Kärnten, Klagenfurt, Austria
    • Jun 14, 2018 Museum Moderner Kunst Kärnten, Klagenfurt, Austria
    • Mar 6, 2018 Museum of Art, Juniata College, Huntingdon, Pennsylvania
    • Feb 22, 2018 Pennsylvania State University, University Park, Pennsylvania
    • Jan 26, 2018 Bellefonte Art Museum, Bellefonte, Pennsylvania
    • Jan 25, 2018 Museum of Art, Juniata College, Huntingdon, Pennsylvania
    • Mar 9, 2016 Samek Art Museum, Bucknell University, Lewisburg, Pennsylvania
    • Mar 2, 2016 Samek Art Museum, Bucknell University, Lewisburg, Pennsylvania
    • May 30 2014 Museum of Art-DeLand, Florida
    • May 19 2014 Bellefonte Art Museum, Bellefonte, Pennsylvania
    • Nov 5, 2013 Pennsylvania State University, University Park, Pennsylvania
    • Apr 28, 2013 Allentown Art Museum of the Lehigh Valley, Allentown, Pennsylvania
    • Feb 1, 2013 Green Drake Art Center, Millheim, Pennsylvania
    • June 15, 2012 10th International Conference on New Directions in the Humanities, Montréal, Canada
    • Mar 1, 2012 Robeson Gallery of Art, Pennsylvania State University, University Park, Pennsylvania
    • Mar 14, 2010 Butler Institute of American Art, Youngstown, Ohio
    • Jan 27, 2010 Sloan Fine Arts Center, Lock Haven University of Pennsylvania, Lock Haven, PA
    • Oct 29 2009 Boca Raton Museum of Art, Boca Raton, Florida
    • Sept 24 2009 Visiting Artist Pennsylvania State University, University Park, Pennsylvania
    • Sept 17 2009 (in French) Beaux-arts des Amériques, Montréal, Canada
    • Sept 9 2009 Boca Raton Museum of Art, Boca Raton, Florida
    • Feb 19-22 2007 Visiting Artist, Western College of Miami University, Oxford, Ohio
    • Feb 21 2006 Art Museum, Miami University, Oxford, Ohio
    • Feb 20-24 2006 Visiting Artist, Western College of Miami University, Oxford, Ohio
    • June 21, 2005 7th Internationale Fototage, Mannheim/Ludwigshaven, Germany
    • Mar 19, 2005 SPE, Society of Photographic Education National Conference, Portland, Oregon
    • Feb 2, 2005 Symposium on Digital Imaging, Art Museum of Miami University, Oxford, Ohio
    • Oct 24, 2004 SPE, Society of Photographic Education Regional Conference, Athens, Georgia
    • Oct 23, 2004 18th Annual National Conference, School of Visual Arts, New York, New York
    • Apr 18, 2004 Fulbright Association, South Florida Chapter, Miami, Florida
    • Jan 16, 2004 (in French) Museé d’Art moderne et d’Art contemporain, Liège, Belgium
    • Dec 17, 2003 (in French) Association Photographique de Berleur, Belgium
    • Dec 8, 2003 (in French) Centre de Formation de Château Massart, Liège, Belgium
    • Dec 3, 2003 (in French) Académie Royale des Beaux-Arts, Liège, Belgium
    • Nov 25, 2003 University of Liège, Belgium
    • Nov 17, 2003 (in French) Association Photographique de Bruyères, Jupille-sur-Meuse, Belgium
    • Nov 3, 2003 (in French) Institut Supérieur de Beaux-Arts St.-Luc, rue St.-Marie, Liège, Belgique
    • Oct 22, 2003 (in French) Institut Supérieur de Beaux-Arts St.-Luc, blvd. de la Constitution, Liège, Belgique
    • Oct 20, 2003 (in French) Institut Supérieur de Beaux-Arts St.-Luc, blvd. de la Constitution, Liège, Belgique
    • June 20, 2003 (in French) Alliance Française of Miami, Coral Gables, Florida
    • Oct 26, 2002 SPE, Society of Photographic Education Regional Conference, Richmond, Virginia
    • Oct 24, 2002 16th Annual National Conference, School of Visual Arts, New York, New York
    • June 28, 2002 (in French) Spéos, Paris Photographic Institute, Paris, France
    • June 17, 2002 (in French) Spéos, Paris Photographic Institute, Paris, France
    • Feb 23, 2002 CAA, College Art Association National Conference, Philadelphia, Pennsylvania
    • Oct 22, 23, 2001 Arizona State University, Tempe, Arizona
    • Apr 23, 2001 University of Missouri-Columbia, Columbia, Missouri
    • Feb 17, 2001 SPE, Society of Photographic Education National Conference, Savannah, Georgia
    • Dec 8, 2000 Art Institute of Ft. Lauderdale, Florida
    • Jul 4, 2000 (in French) Spéos, Paris Photographic Institute, Paris, France
    • Apr 14, 2000 St. Thomas University, Miami, Florida
    • May 21, 1999 Art Institute of Ft. Lauderdale, Florida
    • Apr 28, 1997 Institute for Human Understanding, Miami, Florida
    • Jul 12, 1995 American Society of Media Photographers, Miami, Florida
    • Sep 9, 1994 Photos and Photos Gallery, Miami, Florida
    • Feb 23, 1994 Florida Center for Photography, Miami, Florida
    • Oct 21, 1993 University of Michigan, School of the Arts, Ann Arbor, Michigan
    • Mar 11, 1992 (in Spanish) Instituto de Bellas Artes, Cartagena, Colombia
    • Mar 9, 10, 1992(in Spanish) lecture/workshop, Centro Cultural Yurupari, Medellín, Colombia
    • Mar 5, 7, 1992 (in Spanish) lecture/workshop, Centro Colombo/Americano, Manizales, Colombia
    • Mar 7, 1992 (in Spanish) two lectures, Universidad de Los Andes, Bogota, Colombia
    • Mar 2, 1992 (in Spanish) Universidad Nacional, Bogota, Colombia
    • Feb 16, 1991 School of Visual Arts, Winthrop University, Rockhill, South Carolina
    • Feb 21, 1991 Miami Art Museum, Miami, Florida
    • Mar 15, 1990 (in Spanish) Alianza Francesa, Quito, Ecuador
    • Nov 5, 1989 Tisch School of Arts, New York University, New York
    • Nov 3, 1989 Focal Point Gallery, City Island, New York
    • Jul 18, 1988 (in Spanish) Municpalidad de Miraflores, Lima, Peru
    • Aug 15, 1988(in Spanish) Centro de Estudios y Investigaciones Fotograficas, Lima, Peru
    • Nov 15, 1988 International Photography Hall of Fame and Museum, Oklahoma City, OK
    • Mar 15, 1987 Tyler School of Art, Temple University, Philadelphia, Pennsylvania
    • Feb 4, 1986 Lehigh University, Bethlehem, Pennsylvania
    • Jul 31, 1986 (in Spanish) Universidad Autonima de Yucatan, Merida, Mexico
    • Jun 9, 1983 (in Spanish) National Photographic Council, Mexico City, Mexico
    • Feb 15, 1983 Miami-Dade Community College, Bilingual Division, Miami, Florida
    • Oct 18, 1982 Multi Arts Institute, Broward Community College, Ft. Lauderdale, Florida
    • Aug 4, 1982 (in Spanish) Fonapas Cultural Center, Merida, Mexico
    • 2009 Innova Artist Grant, Innova Fine Art Papers, USA
    • 2003-2004 Fulbright Research Fellowship, Artist-in-Residence,
      Musée d’Art moderne et d’Art contemporain, Liège, Belgium
      Council for International Exchange of Scholars, Washington, DC
    • 2003-2004 Epson/Seiko Artist Grant, Epson Europe, Düsseldorf, Germany
    • 2003-2004 Hahnemühle Artist Grant, Hahnemühle Fine Art Papers, Einbeck, Germany
    • 2002 Walter D. Roberts Award, Society for the Four Arts, Palm Beach, Florida
    • 2000 Award for Research and Creative Activity, St. Thomas University, Miami, Florida
  • IMAGES CREATED AFTER 1999

    Film Information
    Most of Althouse’s images created after 1999 are made with fine grained 8x10 inch or 5x7 inch black and white negative sheet film using large format 8x10 and 5x7 view cameras. Images created in Belgium 2003-2004 were made on 4x5 inch black and white sheet film. The film is overexposed in the camera to insure the capture of shadow detail in his darker subject matter. This is combined with underdevelopment of the film using high acutance film developer in order to conserve highlight details in his bright white cloth, in preparation for scanning.

    Printing Information
    Althouse scans his processed sheet film negatives to digitize his images. Using a computer and imaging software he subtly manipulates and enhances each of his images in preparation for printing.The artist prints his finished digital image to a large scale using a wide format inkjet printer with highly stable pigmented inks on acid free cotton rag paper.

    Exceptions
    Occasionally the artist eliminates film and camera in his process by placing a chosen subject directly upon the scanner bed. With the scanner acting as camera, an image of the object is digitized to the computer. It is then manipulated, sometimes combined with other objects, and similarly prepared for digital printing as described in the above printing information. Some examples illustrating Althouse’s exclusion of film and camera by use of the scanner as camera are Hammer with Braille, Axe and Tapestry, Belgian Ribbon, and Adjustable Wrench.

    SHROUDS SERIES, 1999-2002

    Film Information
    Most of the images in the Shrouds series were made on coarser grained medium format 6x7cm black and white negative roll film using a 4x5 view camera with a medium format roll film magazine. In preparation for alternative b&w darkroom printing using a point light source enlarging system requiring highly dense low contrast negatives, the film was abnormally overexposed and underdeveloped using high acutance film developer.

    Printing Information
    Through experimentation for the Shrouds series, Althouse created large scale darkroom prints having a unique characteristic of being exceptionally sharp even at great magnification, a precursor to his current large scale digital printing. By employing dense and coarse grained negatives for much of this series, his images have a sand-like quality at close examination yet they retain a hyper sharpness uncharacteristic of large prints. Using a wall mounted enlarger with a special point light source head to accentuate sharpness and grain, Althouse projected the negative image to the floor onto traditional black and white roll paper. The paper was developed in oversized fiberglass trays using modified black and white chemicals.

    Exceptions
    Technical exceptions to the Shrouds series are The Five Talents, Dart, Twisted Shroud, Chartres, and Knot which are examples of some of his first digital experiments. For these images no camera or film was used, as cloth was placed directly on the scanner bed using the scanner as camera as described above.

    IMAGES CREATED BEFORE 1999

    Film Information
    Most earlier rectangular images are made on slow speed large format 4x5 inch black and white negative sheet film in a view camera. Square images are shot on slow speed 6x6cm black and white roll film using a medium format single lens reflex camera. Standard exposure and film processing was generally employed.

    Printing Information
    Althouse printed his photographs in the darkroom using traditional black and white paper and methods, with an enlarger set up with a cold light diffusion light source.

    HAND COLORING

    Hand coloring generally describes the manual placing of color into a black and white photographic image. The technique was often used in the late 1800s and early 1900s to add color to black and white photographs prior to the invention of color film and color prints. The technique involves careful application of watercolor or oil paints to the surface of black and white prints which results in a color characteristic unique to this process.

    Althouse uses two types of hand coloring techniques on some of his black and white images. In his earlier work he applies oil paints to the surface of the black and white print. This is an exacting and time consuming process, and in each case results in a unique one of a kind print. In his more recent digitally printed work such as Belgian Shears and Belgian Ribbon, Althouse hand colors the black and white image on the computer which also requires precision and a considerable investment of time. However the finished hand colored digital image can be then printed digitally as a color print.

    Using both traditional painting onto the print and digital hand coloring, the artist renders the unique color characteristics of hand coloring into certain of his works.

    SILVER GELATIN PRINT

    Silver gelatin print is the gallery term for a darkroom processed black and white photograph. Althouse used bromide/chlorobromide heavy fiber based photographic paper which produces the silver image in a gelatin emulsion.

    SEPIA TONED

    A sepia toned print is a darkroom processed black and white print which has had an additional chemical toning process to turn the print from a neutral gray to a warmer brownish tone.

    PIGMENT PRINT

    These are prints also called pigmented digital prints or pigmented prints, both black and white and color, which are made with a digital inkjet printer using highly stable pigmented-based inks rather than dye-based inks which are more prone to fading and color shifts. For further stability and print quality, Althouse prints onto heavy weight acid free cotton rag paper.

  • salthouse@barry.edu

    Barry University
    Department of Fine Arts
    11300 NE 2nd Avenue
    Miami Shores, FL 33161

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