Artist Certificate in Music Performance

Department of Fine Arts

Department of Fine Arts Artist Certificate in Music Performance

Each developing artist needs to follow his own unique journey. This Artist Certificate in Music Performance program serves to bridge the gap between the undergraduate student profile and the performing artist pursuing either a performing career or a graduate performing degree.

Admission Requirements

  • Curriculum Vitae
  • 3 letters of recommendation
  • video or live audition with repertoire requirements specific to instrument or voice
  • Finalists will be asked to have an interview in person or via Skype with music faculty

Curriculum

A one- year residency program at Barry University with total of 24 credits. Each semester would include 12 credits of private lessons, coachings, ensemble and performance workshop.

Course Descriptions

  • Fifth and sixth semesters of study on a particular instrument; for Music majors and minors only. Prerequisite: MUS 287/288. (Special fee).

  • Fifth and sixth semesters of study on a particular instrument; for Music majors and minors only. Prerequisite: MUS 287/288. (Special fee).

  • Ensembles including but not limited to Choir, String Ensemble, Guitar Ensemble, Piano Ensemble, Woodwind Ensemble, Liturgical Ensemble, Jazz Ensemble, Rock Ensemble, Percussion Ensemble and Composition. (Repeatable course.)

  • Performance workshop is designed to integrate music skills acquired in choral ensembles, applied lessons, and music coursework, with theatre skills, including acting and movement, through observation, research, and performance practice. (Repeatable course)

  • A practical approach to preparation for recital and public performance. A one-on-one coaching with detailed attention paid to stylistic appropriateness, practice strategies, techniques of interpretation, memorization, and ensemble skills with the pianist. For instrumental specialization majors presenting junior or senior recital only. (Repeatable course)

Semester 2 (12 credits total) 9 credits required plus an additional 3 credits from electives list below.

  • Ensembles including but not limited to Choir, String Ensemble, Guitar Ensemble, Piano Ensemble, Woodwind Ensemble, Liturgical Ensemble, Jazz Ensemble, Rock Ensemble, Percussion Ensemble and Composition. (Repeatable course.)

  • Performance workshop is designed to integrate music skills acquired in choral ensembles, applied lessons, and music coursework, with theatre skills, including acting and movement, through observation, research, and performance practice. (Repeatable course)

  • A practical approach to preparation for recital and public performance. A one-on-one coaching with detailed attention paid to stylistic appropriateness, practice strategies, techniques of interpretation, memorization, and ensemble skills with the pianist. For instrumental specialization majors presenting junior or senior recital only. (Repeatable course)

  • This is the seventh and eighth semester of study on a particular instrument; for Music majors and minors only. Prerequisite: MUS 335/338. (Special fee)

  • This is the seventh and eighth semester of study on a particular instrument; for Music majors and minors only. Prerequisite: MUS 335/338. (Special fee)

  • An integrative experience, including comprehensive examinations in music theory and music history, to assist the music major in preparation for graduate study or professional work.

Electives - 7 credits total

  • An overview of the standard piano literature from the Baroque and Classical periods. Primary teaching tools will be lectures, readings, recordings, and musical scores. The course is suited to the musician and non-musician alike. Prerequisite: none.

  • An overview of the standard piano literature from the Romantic and Modern periods. Primary teaching tools will be lectures, readings, recordings and musical scores. The course is suited to the musician and non-musician alike. Prerequisite: none.

  • A practical approach to the preparation of musical scores for collaborative piano playing with a singer, instrumentalist, or chorus. A large variety of repertoire will be examined. Prerequisite: Music Major or permission of instructor.

  • A broad overview of the standard vocal repertoire. Examination of English, French, and German art song from the early Romantic period through the twentieth century masters of the form. Prerequisites: Music major or permission of instructor.

  • A broad overview of operatic repertoire from its inception with the Florentine Camerata (circa. 1600) to the present. The works of Monteverdi, Handel, Mozart, the bel canto composers, and the great Romantic composers, including Verdi and Wagner, are studied and compared to the modern operas of Puccini, Strauss, Britten, Menotti, and other twentieth century masters. Prerequisites: Music major or permission of instructor.

  • Fifth and sixth semesters of study on a particular instrument; for Music majors and minors only. Prerequisite: MUS 287/288. (Special fee).

  • Fifth and sixth semesters of study on a particular instrument; for Music majors and minors only. Prerequisite: MUS 287/288. (Special fee).

  • Advanced instrumental and choral conducting techniques. Prerequisite: MUS 384.

  • Ensembles including but not limited to Choir, String Ensemble, Guitar Ensemble, Piano Ensemble, Woodwind Ensemble, Liturgical Ensemble, Jazz Ensemble, Rock Ensemble, Percussion Ensemble and Composition. (Repeatable course.)

  • Investigation of resources and techniques necessary in the teaching of piano. An emphasis is placed on methods most suitable to beginning piano study. Prerequisite: Music Major or permission of instructor.

  • A practical approach to preparation for recital and public performance. A one-on-one coaching with detailed attention paid to stylistic appropriateness, practice strategies, techniques of interpretation, memorization, and ensemble skills with the pianist. Prerequisite: For vocal specialization majors presenting junior or senior recital only. (Repeatable course)

  • A study of the anatomy and physiology of the voice and its function. Analysis of teaching methods and corrective techniques.

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